Sunday, February 28, 2010

I see by the snailpapers that it is NOT the year 2010 A.D. -- in fact, it is the year 4,000,010 A.T. (anno terra), and newspapers will from this day onward print the date as 4,000,101, not 2010.

Who's with me on this? We need to do longterm thinking now, and none of this Christian era 2010 stuff, as IF the world is only 2000 years old! That is mere Christian BS, sorry, mates, but the world is NOT Christian, it is universal, and there is NOT one religion to rule all of us and certainly NOT by dates. So goodbye to 2010 AD and hello to 4,000,010 AT. Agree, disagree? We need this longterm view in order to better understand issues facing us re global warming and climate change.

I realize it will take a while for this new date meme to catch on, but I soldier on. It's wrong to say we are living in the year 2010, especially those of us who are not Christians. And that's 90 percent of the world population, if truth be known. So let's stop paying lip service to the Jesus myth and face reality with the calendar, too.

Editor & Publisher predicts that the newly-minted term "snailpapers" will probably not catch on, but offers a note saying our little ditty about print newspapers (long may they live!) is worth a listen -- or two! YouTube hits are now 320 and climbing. Shooting for 25,000 hits by end of year. Stay tuned. Do not turn this page!

Sing Out For Print!
(or, alternative title: Singing for his supper...)
http://www.fitzandjen.com/2010/02/sing-out-for-print.html



Danny Bloom offers this little ditty, an ode to the printed newspaper. He calls them “snailpapers,” a neologism we’re betting, um, well, won’t really catch on, but a nice try. Anyway, it’s a clever song that shows Bloom knows his newspaper personalities. Sample lyric:


In Chicago, there’s Steinberg, Neil with a hat,
He’s a serious writer who never falls flat,
Snailpapers help the Windy City un-wind.
My kind of town, it’s a newspaper -- mine.


(Cliff Notes: Steinberg is a Chicago Sun-Times columnist whose books include "Hatless Jack: The President, the Fedora and the Death of the Hat.")

-- MARK FITZGERALD
[Cliff Notes part 2: The blog that blogged this brief item is a breezy, business-oriented blog on the ups and downs of the newspaper industry ...written by E&P's Editor-at-Large Mark Fitzgerald (in Chicago) and Associate Editor Jennifer Saba (in New York). Between them, they have won seven Jesse H. Neal Awards, the top prize for the business press, in the past six years. ]

Nostalgic "snailpapers" novelty song about print newspapers on YouTube now

For Danny Bloom, an aging baby boomer who grew up on
print newspapers and worked in the business for many years, writing a
song about the future of what he calls "snailpapers" -- as a term of
endearment -- comes naturally to him. A former reporter and editor for
several dailies and weeklies around the country and overseas as well,
the Boston-born Bloom says he wrote "I Just Can't Live (Without My
Snailpapers)" as an old-fashioned homage to the print newspapers of
yesteryear. It's on Youtube now, with J. Gale Kilgore of Big Spring,
Texas doing the vocals and arranging the melody.



"Dr Kilgore did a very nice job rendering the lyrics into a spoke song

kind of tune, and I love it," Bloom said. "His phrasing and his

understanding of the song give it a nice lift."



Bloom wrote the song, he says, to pay respect to the print media and

also to help protect and preserve print newspapers as well. He sees a

future with no print newspapers as no future at all. "We need print,

just as much as we need the Internet. Reading a real newspaper on real

newsprint should never vanish from our culture. My song is an attempt,

with humor and nostalgia, to put in a good word for that old

workhorse, the daily newspaper. Okay, I call them snailpapers in the

song, and that's because, as we all know, they arrive at our doorsteps

in the morning with news that is 12 hours old already. But I still

love my daily snailpaper, and I depend on it. So I am using the term,

snailpapers, as a term of endearment, not derision."



Bloom's song speaks about the old days of newspapering when "Woodward

and Bernstein" roamed the hallways of the Washington Post during the

Watergate era. He also mentions top Post editor Ben Bradlee and his

role in "taking Richard Nixon down". And of course, the New York Times

executive editor Bill Keller is praised as well for his knowledge of

the newspaper industry, both old media and new media, as the song

says, and columnists Maureen Dowd and David Brooks also make a brief

appearance in the song, too.



"For me, newspaper columnists play an important role in giving a voice

and a personality to any newspaper, so I put in the names of

Alex Beam at the Boston Globe and Neil Steinberg at the Chicago

Sun-Times as a way of showing my love and respect for those journeymen

reporters."



Bloom, who used to work at the old Washington Star and the old Los

Angeles Herald-Examiner gets in a nostalgic mention of the "Her-Ex",

as the newspaper was nicknamed in years gone by.



"The entire song is a trip down memory lane," Bloom says. "I hope the

song can play a small role in raising the morale of newspaper staffs

today nationwide, who live in an era of layoffs and closings. "I am on

the side of print newspapers, even as I embrace the Internet as well.

Sure, I twitter and use Facebook and have a blog and have a few email

accounts for business and pleasure. But as Dave Eggers says, there is

no reason that print newspapers and news websites cannot co-exist

together. It doesn't have to be an either-or world. Let's keep print

newspapers alive and let's use the Internet for all its wonder and

ease."



Bloom, who says he's an amateur songwriter only, learned to pen songs

by listening to professionals like Weird Al Yankovich and Randy

Newman. "My song is hardly in their league, but it's a novelty song,

too, and that's how I am promoting it. If it gets picked up and

covered one day by a professional singer, wonderful. But for now, I

have given it life on YouTube as a six-minute tune with scrolling

lyrics. It's cute!"





http://www.youtube.com/watch?v=BnZKIk1Krp8




Steve Hall, editor at AdRants, a website about the adveritising

industry that also covers other media-related news, said Bloom's song

is trying "to save the

old-fashioned 'snailpaper.'"



For Dave Ellings, a retired newspaper reporter now living in New York, "the snailpaper song" works. He told Bloom

in a comment on YouTube: "I love this song, danny. The old newsman A. J. Liebling would love it -- it sports with

all the personality that the local press largely used to have, even

with the corruptions, too, of local owners. I love it more because it zings to the facts of personality that

buoyed all America's press -- even in the face of the corporate ooze.

And I love it most for the singing -- hommage to Arlo Guthrie, hommage

to all the folkies who kept America a decent place, back in those

days when it was still a republic."



SONG LINK with LYRICS:

http://www.youtube.com/watch?v=BnZKIk1Krp8

The future of print newspapers (cartoon sampling)

Take a David Wiley Miller cartoon like NON-SEQUITUR, rewrite the dialog, and voila, a cartoon sampling that pays credit to the artist who did the illustrations, of course, and rewrites the dialog balloons for other (non-commercial) purposes: the storyline is now about the future of print newspapers and the vaporsphere, with a big tip of the hat to "Wiley" the genius behind this comic strip.

References:
1. snailpapers, GOOGLE the term
2. Paper is eternal, see William Powers 75 page essay titled "Hamlet's BlackBerry: Why Paper is Eternal" soon to be a publishde book in an updated and much-expanded volume sure to become a bestseller this year. Pub date is July 1, 2010.
3. Bill Keller, executive editor of the New York Times
4. "his elk" -- example of an ATOMIC TYPO, google the term! She meant to say "his ilk" of course, and she did say that, but the inker, ME, spelled it wrong on purpose.
5. The vaporsphere? No idea what that means. Anybody? But hat tip to Edward H. Tenner who coined the term vaporpapers a while back.
6. kvetching: Yiddish expression meaning quitcherbellyaching!
6.

Saturday, February 27, 2010

Los Angeles Herald-Examiner lives on in song, as does Boston Globe, Boulder Daily Camera, Chicago Sun-Times





Nostalgic "snailpapers" novelty song about print newspapers on YouTube now






LOS ANGELES -- For Danny Bloom, an aging baby boomer who grew up on

print newspapers and worked in the business for many years, writing a

song about the future of what he calls "snailpapers" -- as a term of

endearment -- comes naturally to him. A former reporter and editor for

several dailies and weeklies around the country and overseas as well,

the Boston-born Bloom says he wrote "I Just Can't Live (Without My

Snailpapers)" as an old-fashioned homage to the print newspapers of

yesteryear. It's on Youtube now, with J. Gale Kilgore of Big Spring,

Texas doing the vocals and arranging the melody.



"Dr Kilgore did a very nice job rendering the lyrics into a spoke song

kind of tune, and I love it," Bloom said. "His phrasing and his

understanding of the song give it a nice lift."



Bloom wrote the song, he says, to pay respect to the print media and

also to help protect and preserve print newspapers as well. He sees a

future with no print newspapers as no future at all. "We need print,

just as much as we need the Internet. Reading a real newspaper on real

newsprint should never vanish from our culture. My song is an attempt,

with humor and nostalgia, to put in a good word for that old

workhorse, the daily newspaper. Okay, I call them snailpapers in the

song, and that's because, as we all know, they arrive at our doorsteps

in the morning with news that is 12 hours old already. But I still

love my daily snailpaper, and I depend on it. So I am using the term,

snailpapers, as a term of endearment, not derision."



Bloom's song speaks about the old days of newspapering when "Woodward

and Bernstein" roamed the hallways of the Washington Post during the

Watergate era. He also mentions top Post editor Ben Bradlee and his

role in "taking Richard Nixon down". And of course, the New York Times

executive editor Bill Keller is praised as well for his knowledge of

the newspaper industry, both old media and new media, as the song

says, and columnists Maureen Dowd and David Brooks also make a brief

appearance in the song, too.



"For me, newspaper columnists play an important role in giving a voice

and a personality to any newspaper, so I put in the names of

Alex Beam at the Boston Globe and Neil Steinberg at the Chicago

Sun-Times as a way of showing my love and respect for those journeymen

reporters."



Bloom, who used to work at the old Washington Star and the old Los

Angeles Herald-Examiner gets in a nostalgic mention of the "Her-Ex",

as the newspaper was nicknamed in years gone by.



"The entire song is a trip down memory lane," Bloom says. "I hope the

song can play a small role in raising the morale of newspaper staffs

today nationwide, who live in an era of layoffs and closings. "I am on

the side of print newspapers, even as I embrace the Internet as well.

Sure, I twitter and use Facebook and have a blog and have a few email

accounts for business and pleasure. But as Dave Eggers says, there is

no reason that print newspapers and news websites cannot co-exist

together. It doesn't have to be an either-or world. Let's keep print

newspapers alive and let's use the Internet for all its wonder and

ease."



Bloom, who says he's an amateur songwriter only, learned to pen songs

by listening to professionals like Weird Al Yankovich and Randy

Newman. "My song is hardly in their league, but it's a novelty song,

too, and that's how I am promoting it. If it gets picked up and

covered one day by a professional singer, wonderful. But for now, I

have given it life on YouTube as a six-minute tune with scrolling

lyrics. It's cute!"





http://www.youtube.com/watch?v=BnZKIk1Krp8




Steve Hall, editor at AdRants, a website about the adveritising

industry that also covers other media-related news, said Bloom's song

is trying "to save the

old-fashioned 'snailpaper.'"



For Dave Ellings, a retired newspaper reporter now living in New York, "the snailpaper song" works. He told Bloom

in a comment on YouTube: "I love this song, danny. The old newsman A. J. Liebling would love it -- it sports with

all the personality that the local press largely used to have, even

with the corruptions, too, of local owners. I love it more because it zings to the facts of personality that

buoyed all America's press -- even in the face of the corporate ooze.

And I love it most for the singing -- hommage to Arlo Guthrie, hommage

to all the folkies who kept America a decent place, back in those

days when it was still a republic."



SONG LINK with LYRICS:

http://www.youtube.com/watch?v=BnZKIk1Krp8

Tool around with Manny Garcia, better known as Handy Manny, the animated handyman. Who knew?

I wake up this morning in the 60th year of my planet visitation tour, and on the Disney Channel in Chinese here in Taiwan, just by chance I come across an amazing and cute cartoon about a dude with a toolcase full of....well read the PR stuff: [BTW, I was captivated and fell in love with this cartoon creation, me, who never watches cartoons on TV, not since age 6....]

"Tool around with Manny Garcia, better known as Handy Manny, the animated multilingual handyman on Vision Kids now.The number one repair man of Sheetrock Hills has built up a reputation for being able to mend anything. Together with his talkative tools, which include the singing screwdriver Felipe, the numerically proficient tape measure called Stretch and Pat the clumsy hammer, Manny comes to the aid of any townsfolk troubled by a damaged household item.
With his motto “You break it, we fix it”, Manny will get the job done in no time – and he’ll have plenty of fun in the process!"



The Print Newspaper Graveyard (sigh) -- THE ROCKY MOUNTAIN NEWS, 1859 - 2009

Sigh. The newspaper graveyard. i wrote a song about all this, nostalgia, on YTube now and here is a comment of this song by a former newsman and it is APT

"I love this song, Danny. A. J. Liebling would love it -- it sports with
all the personality that the local press largely used to have, even
with the corruptions, too, of local owners.

I love it more because it zings to the facts of personality that
buoyed all America's press -- even in the face of the corporate ooze.

And I love it most for the singing -- hommage to Arlo Guthrie, hommage
to all the folkies who kept America a decent place, back in those
days when it was still a republic. "

Saving print newspapers with a song


http://www.youtube.com/watch?v=BnZKIk1Krp8




http://www.adrants.com/
 (editor Steve Hall) says today: "Danny Bloom tries to save the
old fashioned 'snailpaper' " with link to this YouTube novelty song
video with scrolling lyrics and country western spoken song tune
crooned by

Friday, February 26, 2010

I see by the snailpapers that veteran newspaper editor Howard Weaver has some very interesting things to say about

......the role of the once-a-day, mass circulation print newspaper, what this blog now refers to in some places [YOTUBE for example, 240 hits and counting...] as a snailpaper. He made this remarks at a Univ of AK Anchorage lecture in 2007. Text copyright Howard Weaver (2007, 2010)

SPEECH BEGINS:
Although our time here this evening is meant to be spent talking
mainly about the future, it's impossible to start without some
references to the past.


By some confluence of coincidence, 2007 provides us a chance to think
about the present with reference to several anniversaries of the past.
For the McClatchy Company, founded in 1857, this year marks a 150th
anniversary; for the Anchorage Daily News, this is a 60th anniversary
year. And even though I've said so before, it still shocks me to
acknowledge that 2007 is also the 40th anniversary of my first
newspaper paycheck. Yes, I was young them, a junior at East Anchorage high school -- but 40 years is still, well, 40 years.


Let's postpone that reflection for a moment, and look back farther
still. We could go all the way back to the first newspaper,
established by academic consensus to have appeared in Switzerland just over 400 years ago.
More profitably, perhaps, we can limit our
reflections to this continent, and look at how newspapers have emerged in the New World.


They played a pivotal role in colonial affairs. Benjamin Franklin and
Thomas Jefferson were only two of many founders associated with
newspapers -- Ben as a full-fledged printer, writer and publisher, Tom
as more of an "angel investor" who helped start a paper specifically
to compete with Alexander Hamilton and other Federalist opponents.
Indeed, the wonderfully argued Federalist Papers many of us read in
civics class were, in fact, colonial "letters to the editor,"
establishing better and than other evidence just how central a role
the founders thought the press could and should play.


But those early newspapers were nothing like what we think of as
newspapers today.
Colonial papers were, by and large, partisan,
ideological and polemical. Typically subsidized by some special
interest, they served as mouthpieces, not watchdogs; their audiences
were small, their language florid, their posture extreme. They were,
by any definition, the blogs of their day.


Indeed, the main theme of my short excursion into newspaper history
tonight is to remind you that the institution subject to so much
discussion and hand-wringing today -- the daily newspaper -- wasn't
always a stable, unchanging product. Far from it.


For starters, there certainly was no "mass media" of any kind. As late
as 1830, the country's largest newspaper had a circulation of 4,500 --
and most papers were half that size or smaller. By the middle of the
century, technological innovations changed the playing field, as
steam-powered rotary presses became fast enough to produce mass
circulation papers. The telegraph emerged by the time of the war with
Mexico to provide what must have seemed like "instant news" to those
accustomed to delivery by clipper ship or horseback rider.


Entrepreneurial publishers soon started to broaden their appeal,
recognizing that less overtly partisan newspapers could attract larger
circulation -- and, with it, larger profits. By the end of the 19th
Century publishing giants like Hearst and Pulitzer fueled their mass
circulation appeal with a mix of vigor and sensationalism that gave
birth to the era of the Penny Press or, as a competitor dubbed them,
the Yellow Press. They preferred the term "the journalism of action,"
as when William Randolph Hearst organized a jailbreak to spring a
political prisoner in Cuba.


At the same time, another trend was growing. Historian W. Joseph
Campbell has fixed on 1897 as the pivotal year, when the muscular,
partisan antics of the Yellow Press came dramatically into conflict
with a different, more objective paradigm: the centrist "All The News
That's Fit to Print" philosophy of Arthur Ochs and his New York Times.


As always, new technology and further disruption loomed ahead. The
year with the most newspaper titles in U.S. history was 1919; not
coincidentally, the year 1920 marked the country's first commercial
radio broadcast. As you might expect, the delivery of live radio news
into living rooms free of charge had huge impact on newspapers,
especially when Depression era economics forced many advertisers to
chose between radio and newspapers.


An even more dangerous competitor emerged not long afterward, and by the end of World War Two, broadcast television began what seemed like an inexorable march to media dominance in the country. In the 1950s television killed off something like half of America's daily
newspapers -- afternoon newspapers, for the most part.


Perversely, that carnage set the stage for what would be newspapers'
most stable, powerful and prosperous era, a time between roughly 1960 and 2000, sometimes called "the Golden Age of American Newspapers." I want to explain why a better name might be the age of "Fat, Dumb & Happy."


After afternoon competitors were killed off by Huntley, Brinkley and
Cronkite, the surviving newspapers generally operated as monopolies in their towns. With expensive barriers against competition -- tens of
millions to buy presses and assemble distribution fleets -- they were
well-insulated. And on top of that, they enjoyed another critical
advantage: while CBS and NBC could advertise Chevrolets and Coca-Cola, the broadcasters couldn't duplicate the classified ads that sold used cars or filled job vacancies. Newspapers had those to themselves, and priced them accordingly.


Even if you didn't pass Economics 101, you can probably answer this
question: If a monopoly industry protected against competition enjoys
an exclusive franchise on lucrative advertising, what happens?


If you answered "obscene profits," go to the head of the class.


Obviously, this explains two parts of my alternative label for the
era: Fat & Happy. But -- why Dumb?


It's partly just this simple: almost nobody or no institution changes
if it doesn't have to. When newspapers were making 30 or 40 percent
profit margins, there was little incentive to become more efficient or
responsive to consumer demands. My boss Gary Pruitt, the CEO of
McClatchy, has noted that newspaper leadership through this era proved the wisdom of Warren Buffet's admonition that you should always invest in companies that could be run by complete idiots -- because sooner or later, they would be.


That joyride ended about the year 2000. And why then?


Well, in 1994 we saw the introduction of software known as a "browser" that allowed people to view graphical information across a global network known as the internet. By the year 2000, that World Wide Web had moved from fringe to mainstream, and America's monopolistic, protected newspapers had a new competitor. Among its many other characteristics, the web has these two attributes: it costs almost nothing to launch a new web business, and it's a splendid place for classified advertising.


In other words, the barriers that had protected newspapers' profits
were gone, and a new era of competition had begun.


While this was a transformative event, it does not, I will argue,
signal the end either of newspapers nor newspaper companies. I'll
explore why in the remainder of these remarks.


Not too long ago, a McClatchy board member asked me over lunch what I thought was the biggest single change to come about in journalism since the introduction of the networked web. For the moment let's leave aside the reshaping of media economics -- and oh, if only we could -- to concentrate instead on the part of the business I know best -- news, journalism, content.


Even with that limit, there are many possible answers to the question
of what has changed most.


Newspaper people once took pride in boasting that we published the
news every day; today the notion of publishing only once a day seems
almost quaint.


Certainly this represents one huge change: There is no "news cycle"
nowadays, and we're all competing all the time.


We also produce news in many new formats today, another big change
that has come upon us very quickly. Even five years ago, 95% or more
of the effort in our newsrooms was focused on producing tomorrow
morning's printed newspaper. Today's newsrooms produce instant,
breaking news for the web, shoot video, manage email alerts, record
podcasts and deliver information to cell phones – and produce tomorrow morning's newspaper.


In my sessions with our newsrooms, I always acknowledge that while
it's not hard to drive a car down the freeway, and not too tough to
change the oil, it's damned difficult to do both at the same time …
yet that's essentially what we're asking them to do.


Much of my confidence in our future rests on how well they are
responding. When you add the readership of our daily newspapers with
the unduplicated reach of our digital operations, our total audience
is still growing. No other media can claim that.


Let me put it another way: more people want what we do today than
wanted it yesterday, and that is manifestly NOT the profile of a dying
industry.


Yes, newspaper companies' profits are down. Moving from a
monopolistic, protected position into a hyper-competitive new economic landscape, how could it be otherwise? And as we remind ourselves at McClatchy, it's not raining on us; it's just raining. It's raining on Sony, and Ford Motor Company, and Delta Airlines. Maybe it's rained on some of you.


Charles Darwin is reported to have said that evolutionary survival
goes not necessarily to the smartest competitors, or even to the
strongest, but to those most responsive to change.


Some will respond, and change, and prosper. Some will die.


I assume you've come tonight because you have at least some interest
specifically in the news business. Let's look at how we fit into this
economic Darwinism.


It seems to me there are three questions you might well be asking about now:


Is there an economic model that works?
What is McClatchy doing to get there?
And why why should you care, anyhow?


I promised some time ago to tell you what I thought was the biggest
change to come about in the news business since the advent of the
internet. I've saved that for last, because I think that within the
challenges of this biggest change we find the seeds of our salvation.


The most profound change is not continuous news cycles, or multimedia storytelling or even the demands imposed by newly competitive markets. I think it's the complete erosion of the gatekeeper model of news.


For most of my career, editors decided where to send reporters, how to handle what they discovered, and how to tell that to the public.


No more.


Let me confess that I liked the old gatekeeper model, and in some ways I mourn its passing. Maybe that's understandable, since I spent a good bit of my career doing exactly that job at the Anchorage Daily News. As Alaska's ranking gatekeeper, I helped put a lot of good journalism in the paper that powerful people didn't want there, and I kept out a bit of bad journalism that staffers sometimes wanted to print. To asignificant degree, I got to decide what was big news in Anchorage and what wasn't. But those days are gone.


The top-down hierarchy of a few editors or news directors at a few
institutions deciding what's news is history. Readers now get to
select their own stories, from a plethora of sources, good, bad and
otherwise. It's now easy for individuals to construct that news report
we once referred to as "The Daily Me," comprised solely of information
they want to see, not what somebody else picked out for them.


In our business we talk now about three kinds of journalism: the
journalism of affirmation, like blogs and talk radio, where folks seek
out news and information because they know in advance it will confirm
their point of view; the journalism of assertion, as in cable
television shows where panelists yell different points of view at one
another, but rarely supply much illumination; and the journalism of
verification – our kind of journalism, about which I will say more in
a moment.


In today's world without gatekeepers, amateurs can find audiences,
websites like the Drudge Report or dailykos can dominate political
discourse for activists, and programs like The Daily Show – augmented
by YouTube – redefine public affairs journalism for younger audiences.


In the face of all this, what's an old-fashioned newspaper company
going to do? Let me tell you what I've been telling the newsrooms I
visit: It's time to stop wringing our hands and worrying about "the
future of news." Sure, there's still some uncertainty, but we already
know the blueprint for the future, and the details are rapidly coming
into focus, as well.


We are becoming a hybrid news company, centered on a general
circulation, printed daily newspaper alongside a growing portfolio of
digital products. All of these will deliver branded information on
demand to that growing total audience I mentioned a moment ago. It's a world where we will have less control but greater reach; more
competitors and more partners; and organizations that are somewhat
smaller but substantially more sophisticated than today's.


"Data" of itself is so widely available nowadays that it's of little
value to the reseller. But value-added information can be priceless.
By way of example, consider whether you'd like to take part in this
experiment: you will take all the money in your 401(k) and invest it
based solely on what you read in blogs. I will take mine and invest
based on reading the Wall Street Journal -- and we can easily check
later to see who has a happier retirement.


Good information -- verified, refined, sorted, selected -- has always
advantaged those who have it. It always will. Our challenge is to make
sure we can deliver that quality of information, and then to make sure
people know that we do.


In thinking about our consumer, the person to whom this value-added
information must, indeed, provide value, I envision this scenario:


My customer awakens to a clock radio tuned to National Public Radio
and starts her day to the sounds of All Things Considered. Maybe she
tunes in the Today Show while dressing, and listens to sports-talk
radio on her commute. Like nearly everybody else, she steals a little
time from the boss and does some web surfing at work, then walks into a lunchroom where CNN is playing on the television. Later her email in-box will be filled with notes from friends forwarding priceless
tidbits and imploring, "You just gotta see this ..."


In serving that fully saturated consumer, what's a company focused on
a once-a-day printed newspaper supposed to do?


We win not by merely adding to the info-glut that surrounds her, but
by being the tool that helps her manage it.


To start, let's deliver a succinct and literate printed summary and
orientation to her doorstep each morning. We'll put a hundred of the
smartest people we can find in a room and ask them to spend all day
helping her sort and filter and organize that information. She already
knows Dick Cheney shot somebody in the face; we might be the one who poses the question, "Why did it take 18 hours for somebody to call the police?" She will already have heard what Condeleeza said about Afghanistan, but will she remember on her own that she said something different six months ago? And all that stuff from the blog links her friends mailed her yesterday -- which parts of that were really true?


We'll add value to information in many ways -- sorting, selecting,
ranking, personalizing – and most importantly, by verifying it.


We'll add value by being her original source for most news about what
happens in her hometown. With more reporters and a bigger audience
than anybody else, we'd better.


We'll add value by being one of the primary sources for the constant
digital delivery that surrounds her long after she leaves her printed
newspaper at home. Unlike the newsroom I ran in Anchorage, today's ADN can report the news of an explosion at Elmendorf as quickly as a radio station, and may have video online before anybody. Political gossip can reach the campaign blog at any hour, and folks with an appetite for such things can read transcripts of FBI wiretaps while they listen to audio of a prosecutor's opening remarks.


There are three big themes at play in our industry today. One of them
-- the revenue reset occasioned by new competition -- is as big a
challenge as any faced by newspapers in my generation.


But the other two are both good news for journalists.


For one, people have never had a bigger appetite for information.
Whether scanning their PM news update in email or arguing with
neighbors in the comments section of their favorite blog, more people
are more involved with the news than ever before.


And on top of that, journalists have never had better tools to employ
in satisfying those demands. Access to the 24/7 news cycle and
powerful multimedia tools to tell the story of an Army widow's fallen
warrior are just the start. We also have the capacity now to convene
community conversations, not just report on them; to reach instantly
across a vast state almost without cost; and to provide audio of a
senator's voice at the editorial board to a whole nation.


For 150 years, McClatchy has been guided by a single mission: to
produce public service journalism that improves the lives of the
people it serves. And what does that sort of journalism try to do? To
speak the truth to power, to hold the government accountable, to help
build community cohesion, and to be a voice for the voiceless.


Today's explosion of new media outlets and expanded voices for
bloggers and other citizens is unquestionably a net good in a society
based upon self-government and an open, honest search for truth. But
it is also true that even in this new world, the heavy lifting of
watchdog reporting is being done by institutions with a tradition of
public service journalism and the expertise and integrity to back that
up. In just the last several years, these oft-derided "mainsteam
media" have opened the country's eyes to things like unauthorized
wiretapping by the NSA, the CIA's secret "black site" prisons in
Europe, illegal back-dated stock options at public companies,
scandalous conditions at Walter Reed Army Hospital and the politicized
firings of U.S. Attorneys.


With all our manifest imperfections, the traditional press serves an
essential role for our self-governing society. Whatever our changing
economics, it's essential that we find ways to continue that service,
to remain mission-driven in our efforts to tell the truth and empower
citizens.


The McClatchy Company was founded in the California Gold Rush 150
years ago in 1857 -- before the invention of electric lights. In the
first 30 years of its existence, the Sacramento Bee newspaper saw more than 80 competitors born and buried. With the flick of a switch one day in the 1860s, a transcontinental telegraph began to deliver
instantly the distant news that formerly took weeks to arrive in the
saddlebags of the Pony Express. Radio and then television, a Great
Depression and two world wars all shaped its history, and all
contributed to a robust and resilient DNA that reflects Darwin's
prediction about the odds of those most adaptable to change.


As we speak, the world wide web is not yet 15 [18 in 2010] years old. Personally, I
can't wait to see what happens next.
SPEECH ENDS

(c) 2007 Howard Weaver

I see by the snailpapers that Michael Golden of the New York Times is not so fond of the term snailpapers for snailpapers like the New York Times....

LISTEN TO HIM HERE: 19 minute speech to luncheon crowd
http://www.goupstate.com/article/20100224/VIDEO/2242000&template=video

I see by the snailpapers that Danielle Flood is writing a memoir titled AN UNQUIET DAUGHTER.....

.....a memoir-in-progress in which an American journalist searches for her
father and explores her beginnings in French Indochina. Sounds like a great book and should be a good read. Sign me up!

Class Notes: Danielle Flood to high school in NYC at St. Vincent Ferrer, Class of 1969. She said in earlier online post "I get so nostalgic each time I pass the school. I always go into the church to visit, say a prayer. It seems like our focus in life at the time was to try and get out of going to mass, or parade drills in the 69th St. Armory for St. Patty's Day. We used to roll up our skirts until they were way above the knee, until we got within a block of the school."

 Later Flood went Fordham where she took my BA in communications, and then went to Columbia for her master's in journalism. More info at www.danielleflood.com

Danny Bloom' s tribute — and challenge — to the newspaper industry: A novelty song about Ben Bradlee, Bill Keller, the Her-Ex and Neil Steinberg, among others

Danny Bloom' s tribute — and challenge — to the newspaper industry...


Saving print newspapers with a song? Maybe it can help. What would it hoit?

 - a novelty song, on YOUTUBE now,

 http://www.youtube.com/watch?v=BnZKIk1Krp8


 AdRants.com (Steve Hall) says today: "Danny Bloom tries to save the
old fashioned 'snailpaper' " with link to this YouTube novelty song

Eqentia.com also gives a shout out today.

Next up: Romenesko, if Jim is game.....Politico.com, Wonkette, Bostonist.com, Chicagoist.com, Dcist.com, LAist.com, Gawker, NPR

video with scrolling lyrics and country western spoken song tune

Thursday, February 25, 2010

I see by the snailpapers that Joe McGinnis has a new book coming out about SARAH PALIN with a pub date of 2011, published by Broadway Books in NYC

Sarah Palin Plain and Simple? The woman who suffers from a speech disorder diagnosde by medical professionals as {dysfluency). The woman who possibly uses Alaskan slang terms like "jew someone down" when talking about bargaining at backyard yard sales in Wasilla and Juneau. The woman who will be president, yes, in 2012. Beware. Be very aware. Palin's rise marks the end of America as we know it. Joe, good luck with this book -- and the book tour that follows. 2011 will be some year!

http://www.facebook.com/joemcginniss

Danny Bloom tries to save the old-fashioned "snailpaper" with a novelty song

Danny Bloom tries to save the old-fashioned "snailpaper" with a novelty song

Danny Bloom tries to save the old-fashioned "snailpaper"

Danny Bloom tries to save the old-fashioned "snailpaper"

Danny Bloom tries to save the old-fashioned "snailpaper"

Danny Bloom tries to save the old-fashioned "snailpaper"

Danny Bloom tries to save the old-fashioned "snailpaper" (aka print newspapers)

Danny Bloom tries to save the old-fashioned "snailpaper"

Danny Bloom tries to save the old-fashioned "snailpaper" (aka print newspapers)

Danny Bloom tries to save the old-fashioned "snailpaper"

Danny Bloom tries to save the old-fashioned "snailpaper" (aka print newspapers)

Danny Bloom tries to save the old-fashioned "snailpaper"

Saving print newspapers with a song - a YouTube novelty song

http://www.youtube.com/watch?v=BnZKIk1Krp8





AdRants.com (Steve Hall) says today: "Danny Bloom tries to save the

old fashioned 'snailpaper' " with link to this YouTube novelty song

video with scrolling lyrics and country western spoken song tune

crooned by Texas crooner J. Gale Kilgore of Big Spring, Texas, a

retired dentist there.

The Amsterdam(mit) Statement -- written by Hans Bloomer and select committee members of the "Save the Dutch from Language Discrimination [by Engliish Speakers] Front" (SDLDF)

The Amsterdam(mit) Statement

written by HANS BLOOMER (pictured above) select committee members of the "Save the Dutch from Language Discrimination [by Engliish Speakers Front]" (SDLD) - WHY? BECAUSE STEVE HALL at AdRants.com goaded us into this! He wrote the other day, in speaking about a recent McDonald's TV commerical about "going Dutch" with his girlfriend, Steve Hall asked "By the way, where's the cause group to protect the Dutch from appearing to be cheap?" Steve, and word mavens everywhere, HERE's the cause group! Read on!

SEE the McDonald's TV ad here:
http://www.illegaladvertising.com/index.php?vermouth=viewvideo&id=1773



webposted on the virtual walls of the Dutch Parliament this day of February 25, 2010 AD (anno dutchilus)

THEREFORE, in regard to "Where's the cause group cause group to protect the Dutch from appearing to be cheap?" -- We THEREFORE hold these truths to be self-evident, that, for crying out loud, it's 2010 already, it's the Age of Globalization -- one world, one people; we are the world, we are the children! -- and it is not nice to load up the English language with dozens of slang terms and everyday idioms denigrating the good character and vibrant culture of the Dutch people, from such terms as Dutch courage, Dutch oven, Dutch treat, Dutch wife (don't even ask about that one!) ... to Dutch windows, Dutch blinds, Dutch hoes, Dutch auctions, Dutch curtains and all the rest. Although we realize that these terms had their genesis not in the Book of Genesis but rather in the early days of human civilization when the British people first came into contact with -- in their eyes -- the mysterious and inscrutable Japanese, no, strike, that, the mysterious and inscrutbale Dutch people -- and inventing all sorts of scurrilous slurs against their Continental cousins -- it has now come to to our attention (and the entire world's attention as well via the Dutch blogosphere) that now is the time to put away childish anti-Dutch ethnic slurs embedded in the English language. We therefore ask all dictionary editors and New York Times "On Language" columnists following in the good footsteps of that noted Dutch word maven William Safire, may he rest in eterna; Dutch peace, to once and for all delete all noxious, racist and inscrutable references to the Dutch people that portray them in stingy, thrifty or sexually-deviant ways now and forever, so help us -- Amsterdammit! -- God.

References and Links:

ITEM ONE: ''Don't most of these Dutch-themed terms in English, many of which
originated in the UK first and later came to the USA with the Dutch
 them based on the alleged thriftiness and
getting through the cold winters and surviving the long ago floods
that made them very clever and quick-thinking? So yes,
while a Dutch oven might be a good idea when camping, doesn't it imply
being poor
and not being able to afford or want to buy a real oven? Correct me
where I am wrong, I often am. But google Dutch themed terms and mostly
90 percent are a slur on the Dutch poeple. If I was Dutch I would
protest. Imagine if these terms were used for Blacks, Jews, Hispanics,
WASPS, etc.....'' -- blogger exhibit A
 
ITEM TWO: http://www.visualthesaurus.com/cm/ll/1969/
Going Dutch
September 1, 2009
OKH@ORINHARGRAVES.COM
 
 
By Orin Hargraves (NOT DUTCH)

The Language Lounge removed to the Netherlands for a short break last
month, with the specific mission of observing several of the various
putative Dutch contributions to English on their native soil: Dutch
courage, Dutch uncles, Dutch ovens, Dutch auctions, Dutch doors, Dutch
 hoes, and Dutch treats, to name a few.


 
ITEM 3: GOOGLE BEN ZIMMER AND ALL THINGS DUTCH. HE KNOWS HIS WAY AROUND WORDS BETTER THAN ANYONE I KNOW.

Wednesday, February 24, 2010

So? What? Me? Worried?

Look, I had a heart attack on November 6, I'm lucky to be alive, I'm living on borrowed time for about the third time in my borrowed life, and look, I am not worried about anything. I am happy. I love life. I am so grateful to be alive. What? Me? Worried? NO WAY!

I see by the snailpapers that Ruth Kaiser has created something she calls The Spontanepous Smiley Project and it's a must-see. Go look now!

Ruth whispered in my ear, from her home in California to my cave here in Taiwan: "Danny, listen, I am hoping to get your ear regarding an art project that I have now that lives on the Internet and involves 1000s of people all over the world -- including Taiwan yes, and maybe the APPLE DAILY there will cover this, too -- collecting and sharing their photographs of the Smiley Face as it appears in everyday objects. [We started this 2 years ago - - long, long before AmEx debuted their current ad campaign!]

Recently we've partnered with OPERATION SMILE (a network of volunteers working worldwide to repair childhood facial deformities, see link below). Smiley uploads earn donations for Operation Smile. In december we launched our first Smile-a-Thon. An entire elementary school went on a Smile Hunt. Like a Walk-a-Thon the kids will got people to sponsor them, but instead of by the mile the sponsors pledged by the SMILE. Hundreds of kids spent their Winter Break finding and photographing Spontaneous Smileys. We learned a lot with this pilot school and are working to offer Smile-a-Thons nationally!

I had an exhibit of my Smiley photos in Berkeley. On the night of the opening, I thought a few people might come, but we were mobbed! The happiness of the project has been contagious! People who had read about it in the papers came to meet the Smiley Lady. It's hard to believe that little ol' me, a mom/teacher/artist trying to spread a little happiness and raise money for Operation Smile with my goofy little project, is getting that kind of attention."

WOW. This is really a great idea and a great art project and a great public project. Go go go, Smiley Lady!

We can see a book deal coming from this, calendars, mugs, lots of things, not only to raise money for good charities, but also to give people around the world a good smile and a laugh or two. I love it.

Sign me,

Smiling Man

I see by the snailpapers that John Robinson has a very good blog post today about front pages of snailpapers.....

"What makes the front page?" John Robinson asks his readers in North Carolina and around the world -- me, for example, in my cave in Taiwan.

He then notes: "I had the pleasure of talking to Andy Bechtel’s Advanced Editing class at UNC yesterday. The topic: what makes a front page story?"

Robinson adds: It is an art not a science. That’s why I came up with 11 characteristics that may qualify a story as worthy of the front page. Andy didn’t make me rank them in order of importance so lazy person that I am, I didn’t.

ROBINSON'S LIST

• It’s local.
• It’s news, with the emphasis on the word new. (If it’s on the noon news, do I really want it on the front page 18 hours later?)
• It’s important for participation in a democracy. (Stories about candidates for local office don’t sell papers, but if we don’t do it, who will?)
• It’s a catastrophe. (Sorry to say it, but TV is right: death and destruction sells.)
• If people will talk about it. (It’s not an important event, but it is just plain interesting.)
• If it sells papers. (Those promos on the front page telling you how many coupons inside?)
• If it has strong art. (We’re not the Wall Street Journal.)
• If it improves the mix of stories. (We want some serious, some light, some topic-oriented, some people-oriented.)
• If it is part of an historic event. (Think UNC wins the NCAA. Obama wins the election. The 50th anniversary of the sit-ins.)
• It deserves to be on the front page. **
• It’s a slow news day. (Absolutely nothing is going on, but we ain’t producing a paper with acres of white space on the front page. Hence, wire copy.)

** [This is a new one to me and is dedicated to those people who think Sen. Kennedy’s passing, Sonja Sotomayor confirmation to the Supreme Court or Brown’s election deserved Page 1 treatment, even though they didn’t really qualify with any of the other characteristics.]

Full disclosure: I allow myself to ignore these whenever it is necessary.

Todd Akira Morikawa ON SNAILPAPERS, PAPER, HANDWRITING AND THE DIGITAL AGE

Todd Akira Morikawa, when I asked him his thoughts about the new term snailpapers as a term of endearment for print newspapers, told me:

"quaint; brings back memories.... mmm... there is something 2 B valued in the written word... in book/magazine/pamphlet/leaflet/sign form... tactile/organizational... Just as handwritten notes (the nigh-lost art of calligraphy/letter-writing by hand) have character.... snailpapers sounds cute/quaint... not trite or ingratiating/deprecating. "

adding:

"yes.... the graphical user interface pioneered by apple (macintosh) that led to Windows.... (point-and-click) is without-a-doubt useful/handy/innovative. The FEEL of paper. The way one page leads to another... the structure of the printed word uninterrupted by
SPAM/pop-up ads/the hyper-information....hope someway our "memes" will penetrate into the netscape/blogosphere..."

AdRAnts.com notes today: "Danny Bloom tries to save the old-fashioned "snailpaper." (with a link to this page and the new YouTube video linked below)

Thank you, Steve Hall, editor of AdRants.com, for the shout out!
AdRANTS

-- Danny Bloom of ''Danny Bloom tries to save the old fashioned "snailpaper."

I want to introduce you all today to the word “snailpapers.” snailpaper, you ask? These are the print newspapers we read every morning with news on the ...

Former reporter, editor and editorial writer John Cochran returned to daily snailpapers in a big way yesterday when an AP photographer srot of kinda of like ...

OPED soon to appear in NEW YORK TIMES oped page: 'Snailpapers' is a term of endearment for our daily newspapers

Mark Potts comments on the "aged" news of print, and notes that when a recent snowstorm hit the DC area, and the Washington Post snailpaper could not be delivered, he said: "I certainly didn't miss my snailpaper at all, though I hope I get credit for it on my next bill...."

See Mark's blog at the recoveringjournalist. It's good! Interesting phrasing, "the aged news of print", compared to the immediacy of online news site covering the major snowstorn with -- snowperbole at times!

vapor

vapor

Tuesday, February 23, 2010

I see by the snailpapers that Adam Chadwick and Bill Loerch are making an important documentary film about the future of the news business ( read exclusive interview here)

Introduction by Danny Bloom in Taiwan: Adam Chadwick and Bill Loerch are at work on a very important documentary that is in progress now. They need additional funding. This blog is printed here today on pixelated screenage in order to help spread the word about their movie, and attract needed funding. They have promised me a follow up interview after the film debuts at Sundance in 2011 or 2012 or 2013....._......I feel this is a very important film and should be completed and shown worldwide. I interviewed Adam (and Bill) in this regard. As follows.

AND SEE Paul Gillin video interview from Newspaper Death Watch Facebook page here: www.facebook.com (go to Newspaper Death Watch in search window)

Newspaper Death Watch's Paul Gillin notes on his Facebook page :

''Adam Chadwick and Bill Loerch are two filmmakers who are trying to chronicle the decline of the US newspaper industry for a documentary film called Fit to Print. Adam is a laid-off New York Times copyeditor and Bill has spent most of his adult life making films. We spent several hours with them on Saturday and came away very impressed with their knowledge and ambition. What they mainly need now is money. Here’s a video interview that tells a little bit about their venture. ''

http://www.facebook.com/video/video.php?v=348292035922&ref=mf


Adam's E-MAIL: adamgchadwick@gmail.com

His contact PHONE: 1-720-333-6555


QUESTION: 1. The documentary is called FIT TO PRINT, which is of course a nod to
the NYTimes slogan of "All the News That's Fit to Print", on its
masthead for long time. What does the title of your film mean to you?




ADAM: I came up with the title as a way for people to recognize two things 1) A part of the slogan which, yes the Times uses (however, this isn't a direct nod to them) rather, is a key element for all to recognize a catch phrase which could immediately be associated with print newspapers. 2) "Fit to Print" conjures up an idea of what is "fit" enough, or healthy enough ...or economically viable enough in most cases -- to print.

BLOOM: And what do you hope it will mean to your audiences?



CHADWICK: I hope it will create a question in a sense ...of what truly IS "Fit" or viable, or worthy enough to print in the newspaper. The New York Times created the full length slogan many years ago ...yet at the same time, I don't really think newspaper readers truly question on a day-to-day basis: what, why and how did these stories make it into the printed newspaper. Not to mention the what, why, and how as to the particular layout of newspapers.

BLOOM: What do you hope the title will mean to reporters and editors
writing about the film once its complete and screening around the
world, in terms of how they read the headlines for the story about the
movie and how they use the title in the reporting they do itself?




One point I want to emphasize again, is that this is not a documentary on The New York Times (though we have collected several interviews from prominent Times staff). Rather, I hope that writers and editors (and anyone working in newspapers, journalism, blogs, or any type of writing) will pause for a moment and truly contemplate on what their work means to them personally. Yet at the same time, come to an understanding, that no matter what section or topic you may be writing about ---- there is a cancer that is and HAS been swelling throughout journalism for many years. Writers and editors are paid less and less (if even paid at all) each year. The major North American newspapers have been corporatized and monopolized down to the bone. Technology, new media and the global recession have played a part in this story -- but deregulation on cross-ownership rules and the bottom line of pleasing Wall Street stock holders has crippled this industry and left many career-long professionals by the wayside.
How are you going about raising funds now? How much do you have
already, percentage wise? How much more do you need?




We are paying for this film out of our own pockets. We need all the help we can get with the basics, such as flying to Seattle to visit (for a reunion session we organized) the entire former Seattle Post Intelligencer staff. To San Francisco, to Los Angeles, to Denver, to Detroit, to Chicago and to Miami. We have major newsroom contacts in each of those cities who is ready and willing to step up and tell their detailed stories on how their newspaper companies have violated cross-ownership rules, been corporatized with the backing of political sponsorship, have been monopolized with other television, radio and internet outlets. We also have experts who are prepared to tell the 40 year history of how several North American newspaper companies first adapted to emerging digital technology in the late 1970's and 1980's, and also how advertising revenue changed over the course of that forty year period.

If we can get funding or frequent flier miles, or a car, or a train ticket, or even hitch a ride with someone to any of these cities, it will allow us to use our out-of-pocket expenses to pay our staff (our editor; cameraman; sound man; website developer) are all working for free right now because they believe in the project and feel that if action isn't taken for newspapers and digital news here and now, we will pay dearly for our mistake 5 to 10 years from now (if not sooner).

As with any great documentary (take for example Barbara Kopple's fantastic "Harlan County U.S.A."; Nathan Rissman's "I am Because We Are"; or Andrew Lee's "Easy Street") we are trying to capture the here and now by traveling to these cities. To anyone who cares deeply about this subject ....we could truly use your help.

Can you use the credit card route and use the credit cards to get
the film made and then hope for profits later to repay the credit
bills?




ADAM: We are former newspaper employees living off of unemployment, paying for this film with our own credit cards as is -- so the question of paying for this project that way is already taking place. If anyone is willing to donate whatever amount possible, it will allow us to capture the vital interviews that we already have secured. But we need your help in getting there. We don't care about breaking "Avatar's" box office record for profit with this film. What we do care about is getting to these cities to record the stories of these key newspaper experts to share with our audience.

But there is a sense of urgency to detail this story now before its too late. We don't want to predict the future of newspapers or of digital journalism ...but as we transform from one medium to another, there is something being lost: Good, well-rounded investigative journalism and foreign correspondents bureaus. These are watchdogs to our society and we need to put the spotlight on what is happening right now, and what IS happening is that these trained, resourceful watchdogs are dwindling day after day.


Who are you trying to reach with this film? which audience?
Newspaper execs? Newspaper readers?




ADAM: First and foremost anyone interested in journalism. Anyone interested in newspaper journalism, television broadcast, radio, or internet journalism -- the fact is (as we will detail in this film) that major newspapers set the stage for these other mediums for news. We have several experts from various outlets such as The New York Times, Wall Street Journal, CBS News, NPR and others -- who each detail how news is circulated, and it comes from newspaper wires. For instance, The Washington Post will provide a wire service to local and national television news broadcasters who will then pluck the stories they want to cover on that evenings Television broadcast. The same is true with radio and the internet.



We are also creating this project for future journalists (in any medium). Those who are now or perhaps may be in journalism schools in the near future -- this project will detail the in's and out's of what is being taught right now within the classroom (Columbia Journalism School has opened their doors to us. As well, we will be detailing segments from Northwestern and Berkeley schools for Journalism).

Any former, current, or future journalist. This film will ring true for many who are: Concerned, confused, and even excited by the transition with our former and future platforms for news.

Anyone interested in contemporary Newspaper history. We are detailing the window from 1970-2010, respectively. If you're curious to know how things have shaped up during that period of time, this is the documentary for you.

Newspaper editors? Newspaper reporters? Matt Drudge? Bill Gates?
Internet news sites editors and their online readers?




From newspaper reporters, editors, web developers, print pressmen, to delivery truck drivers. Emerging sites such as Huffington post, Slate, Drudge Report.

From Warren Buffett to Mark Cuban.




QUESTION: Where do you plan to show the movie when completed? HBO? Disocvery
Channel? History Channel?




ADAM: Our first objective is to complete a well-rounded documentary. The world of film distribution has changed dramatically over the past several years. We are fully aware of this and are taking the necessary steps to ensure that even the "cutting room floor" footage which is not seen in the feature length doc. will be available online in some form. As far as the major outlets: HBO, Discovery, The History Channel and PBS.... we will reach out to them and hopefully they will be interested. But usually they relay only on their in-house production teams to cover their own stories (of all those you listed above by the way ...not one of them has or is producing a documentary on the newspaper industry at this time).

We want to take this film on the festival circuit around the world - no question. Anyone interested in helping us achieve this, we would greatly appreciate it.


QUESTION: Sundance? Festivals? the Newseum in DC? Where?




ADAM: Yes, foundations for documentary films, journalism foundations and journalism schools as well. We have already been in contact with The Nieman Foundation and Newseum in D.C.

It will be important to showcase this film at festivals around the world as well - simply because the contemporary American Newspaper story is the ultimate tale of capitalism ...and when capitalism fails, it leaves many concerned citizens to the wayside. As well, newspaper outlets from around the world tend to operate much differently than North American
Newspapers. This is important, and one of the fundamental reasons why we currently have so much political polarization within the United States.

QUESTION: How long will the movie be? 60 minutes? 30 minutes?



ADAM: 90 - 110 minutes, respectively. A feature length film.


QUESTION: Who will you be interviewing for the movie's talking heads? Big
name editors? Big name reporters?




ADAM: To answer your question: Bob Woodward, Robert Kaiser, David Barstow, Noam Chomsky, Tim Arango, Andie Tucher, Buzz Bissinger, Tom Rosenstiel, Jeff Leen ---- to name just a few.

We also recently contacted Michael Moore, Bill Keller, Kathyrn Downing, and Jon Stewart.




Several others who I unfortunately cannot name right now until we travel to their cities and collect their interviews.


QUESTION: How do you both feel personally about the fuuture of the print
newspaper biz? Optimistic? Pessimistic?




ADAM AND BILL: The future of the newspaper business should always be looked upon with optimism, simply because the future is uncertain. The past is obviously behind us. But the key with this documentary is to detail what has taken place within a very brief history, show our audience what is taking place right now (through our field shooting - not just our talking heads interviews), and to capture what's being "lost" right now.

Lets say the newspaper/news business model shakes itself out 2, 5 or 10 years from now --- that would be fantastic. But unlike any other profession, journalism is a public service. A public service which requires a skill set, time, resources and money. The majority of citizen journalists simply don't have that. If we keep reducing our watchdogs journalists, who will be going after the Bernie Madoff's of the world, or sit in city hall for hour upon hours to reveal what the public needs to know and to protect our first Amendment rights? It's a frightening time right now -- in this strange gap between mediums -- because it seems much like a disorganized wild-west. The jobs that journalists and newspaper employees hold are not just being lost ...these dedicated professionals are at a loss for where to go next. Many of them seasoned 20-plus year reporters who have trained for nothing else professionally.

QUESTION: do you think and hope the movie will help save or preserve print
newspapers or merely document their decline and disappearance from the
American (and worldwide) scene?




ADAM: I think it's more important to truly pause and reflect upon the 'role' print newspapers in our society. They may become an item of the past ...and that might be okay (however, please do note that we have this conception right now that everyone simply has access to computers and the web ...this is false. So there is a socioeconomic element to this debate as well. How will those citizens be informed with news?). As with any documentary film, the idea is to channel a very crucial story and preserve it, think about it, and hopefully not repeat the same mistakes we have in the past.

Thank Adam and Bill, for taking the time to answer my questions via email.

BILL AND ADAM: Thank you, Danny Bloom, for taking the time to help us get the word out about our movie.

NOTE FROM BLOGGER DAN BLOOM: All e-mail and comments that are sent to me will be considered off the record. However, I may on occasion reproduce e-mails after discussion with the sender and only with their express permission.

I see by the snailpapers taht the Fayette Daily News printed my oped on snailpapers the other day....

http://www.fayettedailynews.com/article.php?id_news=5167

Bloom! Long live the snailpapers!
2010-02-23



By Dan Bloom



I want to introduce you today to the word "snailpapers." What's a snailpaper, you ask? These are the newspapers we read every day with news that is often 12 hours old by the time it reaches us. Inside, the news is even older.



Maybe you are reading this commentary in a snailpaper right now. Then again, you might be reading it on a screen. I want to be very clear from the outset about one thing: I am using the term "snailpaper" as a term of endearment for the daily print edition of our local newspapers. I am on the print edition's side.



I am a paper man. I was born with paper and I will die with paper. I delivered newspapers on my bicycle newspaper route as a kid in the 1950s, and I still read my local snailpaper every day now in my early-60s. I love my snailpaper. Please do not take it away from me, oh Digital Age!



So let's be clear. I am using "snailpapers" as a warm loving term, not in derision. So wipe that smirk off your face! I am not dissing or dismissing newspapers. As far as I am concerned, snailpapers make the world go around. Long live the print edition of this newspaper!



Now, of course, I am employing some humor here to help us all get around the current "paper-rock-scissors-print-screen" boondoggle we are now facing. Although I know that Walter Benjamin once famously said that "hope is for the hopeless," I hope Mr. Benjamin was wrong about print newspapers. I want to see them survive.



As I said, I grew up in Massachusetts on print newspapers. I read the Springfield Union, the Springfield Republican, the Boston Globe and the New York Times on Sundays. I read the Juneau Empire for 12 years when I lived there, and when I wasn't reading the Empire, I was flipping through the pages of the Anchorage Daily News, the Anchorage Times, the Nome Nugget and the Fairbanks Daily News-Miner when I lived in other parts of Alaska.



Like I said, I grew up on newspapers and I intend to die with them. In fact, I am hoping my brief three-sentence obituary - headlined "Snailpaper Coiner Dies" - will appear in a brief notice in a real paper newspaper rather than just on some pixilated screen somewhere in the blogosphere.



Give me my daily snailpaper or give me death!



I realize, of course, that we are witnessing a vast literary shift right now from paper to screens, the ramifications of which we cannot yet fathom. But think about this: while paper is not better or worse than screens, just different - what the future holds for snailpaper readers is food for thought.That's why I recently coined this new word: "snailpapers." I love them. I don't want to see them go.



So as you turn the pages of this newspaper today, scanning from story to story, clipping out articles you like or that the state legislator you work for asked for - and underlining important sentences such as this one - remember this: newspapers weren't born yesterday. They were born long ago. Should we bury them so soon? It will be a sad day when the last print newspaper leaves the shop. Ask Andy Rooney of "60 Minutes" or Ben Bradlee at the Washington Post or Bill Keller at the New York Times.



Let me conclude this love letter to print newspapers everywhere like this: we must do all we can to preserve the daily snailpaper, and if humor can help us get over the hump and through the current malaise, then this newly minted coinage might serve some small purpose, even if as a small historical footnote to the slow death of what we all once loved and cherished - that thing called paper.



Long live snailpapers everywhere, from sea to shining sea. They play an important role in our lives, and if nothing else, yes, we can still use them to line the birdcage or wrap fish.





Dan E. Bloom is a former editor of the Capital City Weekly who now blogs from Taiwan. He can be reached at bikolang@gmail.com.





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snailpaper song on YOUTUBE now - Jim Romeneski and Ben Stein poised to linlk to it, also Alex Remington

snailpaper song on YOUTUBE now



http://www.youtube.com/watch?v=BnZKIk1Krp8
 

snailpaper song on YOUTUBE now - memories of Los Angeles Herald-Examiner, the Her-Ex, figure in it

snailpaper song on YOUTUBE now



http://www.youtube.com/watch?v=BnZKIk1Krp8
 

snailpaper song on YOUTUBE now - Maureen Dowd and David Brooks star in it

snailpaper song on YOUTUBE now




http://www.youtube.com/watch?v=BnZKIk1Krp8

snailpaper song on YOUTUBE now : Ben Bradlee, Bill Keller, Alex Beam, Neil Steinberg, Walter Winchell and Matt Drudge star in it

snailpaper song on YOUTUBE now

http://www.youtube.com/watch?v=BnZKIk1Krp8

The snailpaper novelty song is now up for your viewing/listening pleasure at YOUTUBE

Monday, February 22, 2010

The Yesterdaily News

I get the news yesterdaily on my Internet screen in Taiwan. I am so behind the times.

WHO said that?

I see by the snailpapers that the New York Daily News began life in 1919 as The Illustrated Daily News -- and One Wonders if the NYDN will even exist in 2019?

Like film noir, the tabloids have no illusions about evil lurking in the hearts of men, women and children. For longer than any other tabloid in the country, The New York Daily News -- which began life in June 1919 as The Illustrated Daily News -- has documented the all-too-commonplace human urge to do harm. Unlike film noir, which devotes an hour or two to exploring dark doings, The News has had to tell the story in one arresting photograph.

From the more than 130 pictures in ''New York Noir: Crime Photographs From The Daily News Archive'' at the Queens Museum of Art, it is clear that News photographers succeeded time and again in packing a story into one extraordinary picture. They also produced images that keep packing a wicked punch long after their first appearance in newsprint.

PHOTOGRAPHY REVIEW
Dark Side of New York From The Daily News
By MARGARETT LOKE
Published: March 31, 2000 in the NYTimes

I JUST CAN'T LIVE (WITHOUT MY DAILY SNAILPAPER)

I JUST CAN'T LIVE
(WITHOUT MY DAILY SNAILPAPER)

O life is just one long newspaper caper...
I just can't live without my daily snailpaper...
"Crash blossoms" here ...atomic typos there....
O where would I be, without my dear snailpaper?






Maybe you know him, that old workhorse Bradlee...
Ben's the one who sidelined Tricky Dick  - ee...
O Woodward and Bernstein of Watergate fame...
There's nothing better than that newspaper game!

O life is just one long newspaper caper

I just can't live without my daily snailpaper
"Crash blossoms" here...
 atomic typos there...
O where would I be without my dear snailpaper?



I think you know Bill Keller too...
He runs the Times and knows old from new....
-- (media that is)....
Maureen Dowd to the left of him, ...
Dave Brooks to the right...
If it's fit to print, it's in the New York Times tonight!


O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here... atomic typos there
O where would I be without my dear snailpaper?


Now there's Alex Beam at the Boston Globe...
He doesn't pull punches and he's really quite bold...
The son of a diplomat, he's travelled -- literally -- the Globe!
The Globe is a snailpaper that'll never grow old...






O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here... atomic typos there
O where would I be without my dear snailpaper?


In Chicago, there's Steinberg, Neil with a hat...
He's a serious writer who never falls flat...
Snailpapers help the Windy City un-wind...
My kind of town, it's a newpaper -- mine!


O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here ....atomic typos there
O where would I be without my dear snailpaper?


L.A. used to print the invincible Her-Ex...
Reporters in their cars dine on savory Tex-Mex...
If you're going to Hollywood, read the L.A. Times...
Snailpapers for sale on Hollywood and Vine.


O life is just one long newspaper caper...
I just can't live without my daily snailpaper...
"Crash blossoms" here ...atomic typos there...
O where would I be, without my dear snailpaper?


Miami's a Herald, and D.C.'s a Post....
Boulder's a Camera and Walter Winchell's a ghost
So let's save our papers, preserve them in print
Call them snailpapers, LET DRUDGE WORD MINT!


O life is just one long newspaper caper..
I just can't live without my daily snailpaper..
"Crash blossoms" here, atomic typos there..
O where would I be without my dear snailpaper?




O life is just one long newspaper caper..
I just can't live without my daily snailpaper...
"Crash blossoms" here, atomic typos there..
O where would I be without my dear snailpaper?






    -- 30 --

Sunday, February 21, 2010

''I could coin a term for the way the interwebnets treat news, but it wouldn't be pretty...''

A veteran newspaper editor tells me today re the snailpaper term: "I don't take it as endearing. I could coin a term for the way the interwebnets treat news, but it wouldn't be pretty."

But he adds: "That said, I love the song you did -- ''I Just Can't Live (without my daily snailpaper)". If I were a blogger, which I am not, I'd blog the hell out of it."

http://zippy1300.blogspot.com/2010/02/snailpaper-song-novelty-song-in.html
 SONG LINK

The Snailpaper Parade Marches On.....

I see by the snailpapers that a new documentary will explore the snailpaper's industry's decline (and the film-makers are seeking more seed more to continue; go go go!)

Newspaper Death Watch's Paul Gillin notes on his Facebook page :

''Adam Chadwick and Bill Loerch are two filmmakers who are trying to chronicle the decline of the US newspaper industry for a documentary film called Fit to Print. Adam is a laid-off New York Times copyeditor and Bill has spent most of his adult life making films. We spent several hours with them on Saturday and came away very impressed with their knowledge and ambition. What they mainly need now is money. Here’s a video interview that tells a little bit about their venture. ''

http://www.facebook.com/video/video.php?v=348292035922&ref=mf


http://www.newspaperdeathwatch.com/

question and answer time:

1. The documentary is called FIT TO PRINT, which is of course a nod to the NYTimes slogan of "All the News That's Fit to Print", on its masthead for long time. What does the title of your film mean to you?
2. And what do you hope it will mean to your audiences -- and
3. What do you hope the title will mean to reporters and editors writing about the film once its complete and screening around the world, in terms of how they read the headlines for the story about the movie and how they use the title in the reporting they do itself?
4. How are you going about raising funds now? How much do you have already, percentage wise? How much more do you need?
5. Can you use the credit card route and use the credit cards to get the film made and then hope for profits later to repay the credit bills?
6. Who are you trying to reach with this film? which audience? Newspaper execs? Newspaper readers?
Newspaper editors? Newspaper reporters? Matt Drudge? Bill Gates? Internet news sites editors and their online readers?
7. Where do you plan to show the movie when completed? HBO? Disocvery Channel? History Channel?
Sundance? Festivals? the Newseum in DC? Where?
8. How long will the movie be? 60 minutes? 30 minutes?
9. Who will you be interviewing for the movie's talking heads? Big name editors? Big name reporters?
tom Friedman? Howard Weaver? Kent Sturgis? Alex Beam? Neil Steinberg? Frank Rich? Ben Bradlee? Bill Keller? Maureen Dowd? Paul Saffo? Kevin Kelly? Edward Tenner? Bill Powers? Nick Carr? david Pogue? Nicholson Baker? Nick Bilton? Vindu Goel? Kara Swisher? Peter Kafka? Who?
10. How do you both feel personally about the fuuture of the print newspaper biz? Optimistic? Pessimistic?
do you think and hope the movie will help save or preserve print newspapers or merely document their decline and disappearance from the American (and worldwide) scene?

Singing the newspaper blues with an upbeat "snailpaper" ditty - Gnarls Barkley reworked to cover state of news industry

You've all heard the arguments about the death of snailpapers and the inexorable rise of the internet. Well, global activist Dan Bloom has a new format for the debate: a song. Set to the tune of Gnarls Barkley's Crazy, and performed by J. Gale Kilgore in Big Spring, Texas home recording studio for just US$19 cash, the song is about the woes of print media, with a fighting message:

O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here ...atomic typos there
O where would I be without my dear snailpaper?


http://www.associatedcontent.com/article/2712867/novelty_song_about_newspaper_business.html


Song is called "I Just Can't Live (Without My Daily Snailpaper)

google it for mp3 free

O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here ...atomic typos there
O where would I be without my dear snailpaper?

Maybe you know him, my DC pal Bradlee
Ben's the one sidelined Tricky Dick-ee
O Woodward and Bernstein of Watergate fame
There's nothing better than the newspaper game!

I think you know Bill Keller too
He runs the Times and knows old from new -- (media that is)
Maureen Dowd to the left of him, Dave Brooks to the right
If it's fit to print, it's in the New York Times tonight!

O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here and small typos there
O where would I be without my dear snailpaper?

Now there's Alex Beam at the Boston Globe
He doesn't pull punches and he's really quite bold
The son of a diplomat, he's travelled -- literally -- the Globe!
The Globe is a snailpaper that'll never grow old

O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here atomic typos there
O where would I be without my dear snailpaper?

In Chicago, there's Steinberg, Neil with a hat
He's a serious writer who never falls flat
Snailpapers help the Windy City unwind
My kind of town, what a newpaper mine!

O life is just one long newspaper caper
I just can't live without my daily snailpaper
"Crash blossoms" here atomic typos there
O where would I be without my dear snailpaper?

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